1.
What have you
learned by watching Youtube videos this week?
Funny you should ask that. I use YouTube for
both entertainment and research (sometimes they are the same thing!) and last
night I investigated the “urban fantasy” literary genre, as people close to me
have told me that my fiction could be classified as such. One of the writers interviewed
explained how “the dark forests” of older literatures have been replaced by
even darker urban spaces, such as foreboding alleys and subterranean
environments.
This transition and the need for it fascinate
me.
And that a major distinction between classic
fantasy and the new more brazen urban style is that the urbanized genre permits
a lot of space for sex in the plot, whereas in the older style sex was nearly
taboo or just omitted. So now my imagination is really unraveling! I began
writing my next novel, which is set in San Juan, Puerto Rico, and as I started
out as an erotica writer and drifted away from that to explore other things,
all the threads are coming back together now.
2.
How did you
connect with Puerto Rico?
I connected with Puerto Rico later in life, in
2009 actually, and stayed on the western coast. During that trip alone I saw
San Juan, Arecibo and La Cueva del Río Camuy, Quebradillas, Aguadilla, Rincón,
Mayagüez, Cabo Rojo, Boquerón, San Germán, Sabana Grande, and Ponce. We almost
made it to Juana Díaz where my father was born but didn’t quite make it. And
most of those places have since become locations for a series of short terror
stories I’m developing alongside the new novel.
The Puerto Rican writer Mayra Santos Febres
called me in 2011, regarding her Festival de la Palabra, and how she really
wanted to bring programming to New York. So I met with her and José Manuel
Fajardo, the programmer, and was hired to coordinate dates in New York after
the San Juan dates wrapped. I’ve since made numerous friends on the island that
have helped me to reconnect to it Puerto Rico in various ways. I connected to
Puerto Rico, in short, through writing and my love of literature.
3.
What is your
favorite music to write to?
I like writing in silence, as much as New
York City will allow me. But when I do play music it cannot have vocals.
Symphonic music, electronica, I’ve used before.
4.
Describe your
favorite writing and why this appeals to you (novelists).
This is a tough one because I read all over
the place. But to give you an example of one style I like, I’ll refer to the
great Belgian crime writer Georges Simenon. What I love about his style of
writing (20th century) is how he, with such filed down economy, can
paint a scene, the characters in that scene, and the feeling that permeates it,
in half a paragraph. He’s just genius.
I’ve read about six or seven of his Inspector
Maigret Parisian crime novellas and novels in the past and recently came across
one of his more better known “romans durs” (hard novels) called The Strangers in the House. The romans
durs were existential and dark forays into the crime itself and the characters
surrounding it, but also of the narrator’s psyche.
That’s how I like my fiction. Thrilling. Not
just in the tone and voice that can make it tantalizing, but the philosophical
threads that keep it feeling fresh for years to come. And that’s why so many 19th-century
novelists will never go out of vogue, because life and the world keep recycling
our miseries and anxieties and Dostoevsky, Flaubert, Goethe, and Melville will
always have something eternal to teach us about our own humanity.
5.
What are your 3
favorite rituals to ignite your creativity?
Walking, reading, riding the subway. I do all
three a lot!
6.
What did you
wake up loving today?
Me desperté amando la primavera, darling. And
life.
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